
Thursday, May 14, 2009
Wednesday, May 13, 2009
New Belushi Pisano Gallery Location
Last weekend I had the great fortune to visit the new location of the Belushi Pisano Gallery now open and located in Edgartown on Martha's Vineyard.
Friday, May 1, 2009
Atlanta Botanical Garden Collection
Last night I had the pleasure of attending a cocktail party at the Atlanta Botanical Garden to celebrate the opening of their new wing...

Thursday, April 16, 2009
Updates via Twittering & Tweeting
Friday, March 20, 2009
Creative Loafing Interview

I was recently interviewed by Jeremy Abernathy for the Creative Loafing Speakeasy. Here is the link to view it on the Creative Loafing Culture Surfing blog.
Monday, March 2, 2009
Fay Gold Gallery Moving
Please continue to support the arts and the artists you love however you can... your support, encouragement, and patronage helps keep the creativity flowing and is very much appreciated!
The following was printed in the Atlanta Journal Constitution on February 26, 2009:
Fay Gold plans to close her gallery, a fixture on the arts scene since 1980, and become a private dealer and art consultant. Lagging sales in a bad economy made overhead costs at her Miami Circle venue unsustainable. A moving sale will be held during regular business hours from March 5 to 28. Fay Gold Gallery will close April 1.
Never a shrinking violet, Gold has no intention of disappearing from the Atlanta art scene.
“I will hold small salon-style receptions in my home as well as mount larger exhibitions at alternative spaces,” she says. “I will also have more time to finish my forthcoming memoir, ‘Basquiat’s Cat.’ “
Tuesday, February 24, 2009
Painting featured in Atlanta Homes & Lifestyles Magazine

Sunday, February 22, 2009
Thanks







Monday, February 9, 2009
Friday, January 30, 2009
Art Papers 10th Annual Auction

Tuesday, January 27, 2009
Fay Gold Gallery Opening: Feb. 13th, 7-9pm
I hope to see you there!!
~Jennifer
FOR IMMEDIATE RELEASE
Veronica Kessenich, Director
veronica@faygoldgallery.com; 404.233.3843
"I feel more like a tunnel, a channel, a conduit passing through a variety of thoughts and emotions through the world itself which I transform and which metamorphosis me in turn"
- Anselm Kiefer
WHAT: Four Artists to Watch
WHO: Terri Hallman, Jennifer J L Jones, Anthony Liggins, Ferdinand Rosa
WHEN: February 13 - March 28
Opening Reception: Friday, February 13 from 7 to 9 pm
WHERE: Fay Gold Gallery, 764 Miami Circle
Atlanta, GA – The question that curators, collectors, critics and art dealer ponder is: How do you predict which artists of our time will be well-known 100 years from now? Who will be embraced by the museums in the next century?
In selecting Terri Hallman, Jennifer J L Jones, Anthony Liggins, and Ferdinand Rosa we looked for accessibility, humor, and influence on other artists, conceptual breakthrough and spirituality. Their art is rich and full of surprises and they have explored a wide variety of media. Hopefully, their new intellectual weight will attribute to the longevity of their work.
TERRI HALLMAN
Hallman's primitive abstract faces at first seem simple, but on closer observation, her laborious technique creates unusual layers of depth. Her colors are super-saturated and the surfaces have a textural quality. Hallman begins by laying out dry pigments on paper. She sprays clear acrylic then using tape, she masks off areas. She repeats this process several times while applying pressure with her hands. No brushes are used. She scrapes or tears away selected areas, revealing layers of color underneath. The next step is to apply oil paint washes on the surface. The work is in constant transformation until it "reaches maturity". This procedure lessens the color field ground while highlighting the importance of the faces or figures. Her work combines strange anthropomorphic creatures and comic version of personages from master paintings. With their bright colors and mildly cynical figuration, the painting engages is a delicate balancing act which is overcome by exquisite tension and delight.
JENNIFER J L JONES
Through her intuitive painting process, Atlanta artist Jennifer Jones wants people to understand her work within their own way own thinking, their own history. In a way, each viewer "finished" her painting with their own vision. She wants them to see something within them that she has never thought of herself.
Jones has reduced natural forms to iconic, silhouetted shapes in compositions that make landscapes the occasion for an extremely refined treatment of materials and painting surface. She investigates relations of dimension, proportion and shape. Her use of high gloss varnish as well as her meticulous stylization of branches and leaves slacken the tension between image and abstraction. Her compositions appear to be strongly influenced by Japanese prints. Her reason to paint is to "transform" something that possesses her. An apparition becomes asymmetry. She draws on the mysterious sources of inspiration and inventiveness to define her individuality in this world.
ANTHONY LIGGINS
Anthony Liggins nominally monochromatic paintings are full of quiet dappled light. Interwoven with hatch marks, Liggins paintings are grid-based compositions staccato frenzies of colorful under painting overlaid with fragments as the result of a long series of controlled steps. He slowly builds up opaque but luminous areas of color. He creates a fluttering sensation with his irregular dots pressed on canvas and wood. He adds chopsticks wrapped in multicolor thread into fabric stitching which seem to knit together on the paintings surface. The patterned marks summon up aspects of Japanese textile design such as those used in children's kimonos. It suggests a more unified composition closer to an activated surface of chromatic variety.
FERDINAND ROSA
Atlanta artist Ferdinand Rosa's new work dealing with allegorical abstraction is a sincere and humble submission to a spiritual experience he had in the Southwest. In moving away from representation, Rosa offers us a means of solace and uplift. His work is exemplary of freedom and spontaneity. It is influenced by American Indian culture and southwestern sunsets. He gives a new perspective to space and fills his canvases with symbols of a cultural moment in time. This new body of work has become a lot more complicated than it used to be. Composed of fuzzy passages of tomato and brick red, creams and dark green earth tones, the paintings are reminiscent of early American Indian tapestries. Rosa's airy allover painting is woven from the canvas's edges to the center or intrudes from the corners. In many works, nature's elements - sky, mountains, sun, light and reflection - are cast as abstract patches of vivid color.
Veronica Kessenich
Fay Gold Gallery
764 Miami Circle
Atlanta GA 30324
404.233.3843 o
404.365.8633 f
Wednesday, January 21, 2009
Scattered, Smothered & Covered
So far this year has been anything but dull. I keep promising I will update everyone, but I am very behind on many things and admittedly a bit creatively scattered. Even with the help of my wonderful new assistant... somehow time eludes me. For the most part I've been in the new studio working hard to complete my latest paintings that will be featured in the show coming up at Fay Gold Gallery on February 11th. Invites will be sent out soon, but mark your calendars today so you can save the date!!
"You build on failure. You use it as a stepping stone. Close the door on the past.
You don't try to forget the mistakes, but you don't dwell on it. You don't let it have any of your energy or any of your time, or any of your space."
~Johnny Cash
It's a nice reminder to look ahead and so was the inspiration that hit me yesterday ... I thought about commenting on President Obama's Inaugural address... stepping up and taking responsibility and all really hit home... but then I realized he already said it and there really isn't anything else I need to add, so my only comment is "...yeah, what he said...." :)

Thursday, January 1, 2009
Happy New Year
Wednesday, December 24, 2008
Holiday Wishes

Sunday, December 14, 2008
New Jennifer Jones Art Assistant
Wednesday, December 10, 2008
Signs of the Apocalypse/Rapture in LA Times!

Thanks to so many who have purchased Signs of the Apocalypse/Rapture! It was just reviewed in the Los Angeles Times "Favorite Books 2008" feature! Check out the review here!

God save the Chocolate Bar!!!

Many of you know one of my very favorite places is The Chocolate Bar located in downtown Decatur. This is the place I go to celebrate with my friends after my art shows ... and a place that has grown dear to my heart... not just because of the delicious drinks, food, and desserts, but for all of the wonderful people I've met there this year. I've made best friends, had many laughs, gotten into a bit of trouble now and then... and even fallen head over heels there... it really is an amazing place.
"Come to Light" Selected for 2008 December Show House


I'm pleased to announce that "Come to Light" (one of my paintings from the yet to be released "Hungry Ghost" series) was recently chosen by the fabulous Douglas Weiss (Interior Designer extraordinaire) for the 2008 Designer Show House.

Friday, December 5, 2008
Little Tree Studios Weekend Event

Thursday, December 4, 2008
Books on the brain
Sunday, November 30, 2008
Mark Your Calendars!
Monday, November 24, 2008
I Love NY!










Sunday, November 23, 2008
Sweet Chicago

Tuesday, November 18, 2008
Book Release Party in Chicago

Monday, November 17, 2008
Fun & Success at PINKer!






Friday, November 14, 2008
Fay Gold Gallery Opening
Thursday, November 13, 2008
To Twitter or Not to Twitter
Tuesday, November 11, 2008
Review of "Signs of the Apocalypse / Rapture"

Read the review by Jason Foumberg of Newcity Art below:
You can tell that we’re comfortable with the end of times when the subject gets its own coffee-table book. Front Forty Press has curated, designed and published a hardcover tome featuring artwork from over sixty artists and including two music CDs. The book is divided into the destruction of the world—Apocalypse—and the ethereal bliss that comes after—Rapture. Doomsday is depicted in horror vacui illustrations where debris swells into suffocating masses in work by Andrew Schoultz, Todd Arsenault, Mark Chariker and Joe Vaux, and dystopic landscapes pictured by Jean-Pierre Roy, David Opdyke, Lora Fosberg and Suzy Poling. Rapture, on the other hand, is characterized by Julie Mehretu’s ambient colorscapes, Bill Viola’s weightless dreams, and Doug & Mike Starn’s patchwork vision of Buddha. The Apocalypse CD contains tracks of sustained ambient noise, whereas Rapture is, by comparison, a harmonic savior.
The first essay in the book, by artist Christopher Bucklow, explains the apocalypse as a religious event, but it’s telling that in his introduction, the book’s publisher Doug Fogelson writes, “With the future ever upon us we are at a shameful state of affairs. There are so many real concerns facing humanity right now”—yet the exact date of “right now” is never given. The end of times is a fear adaptable to any time in human history; it is, in essence, timeless. Fogelson is hopeful, though. By getting acquainted with the “signs” of the end, he says, we’ll be able to tune in to the problems, and possibly the solutions.
Still, the broad array of artwork collected in the book is a feast for the eyes. I asked Fogelson if there’s anything odd about enjoying the look of such dark subject matter. “There’s a lot of beauty in the chaos,” he replied. With co-curator Ryanne Baynham, Fogelson created the collector’s edition for the end of times. Sonotheque will host a release party for the book on November 20, and a related exhibition is scheduled at the Hyde Park Art Center in July, 2009. $65 from Front Forty Press.
Published October 27 on http://art.newcity.com/2008/10/27/eye-exam-the-darkside/
Thursday, November 6, 2008
PINKer

Tuesday, October 7, 2008
Signs of the Apocalypse/Rapture


Monday, September 22, 2008
Delicious Autumn
Tuesday, September 16, 2008
2008 Strut Silent Auction
The 2008 Strut Silent Auction fundraiser is this Saturday, September 20th from 1pm-6pm. In it's 11th year, the East Atlanta Strut is a community organized, one-day festival, featuring music, art and events to raise money for neighborhood charities and organizations and support local businesses. I've donated "Serendipity #21" to benefit Sopo Bicycle Cooperative, a nonprofit bicycle repair workshop. (Sopo's mission is to create equitable access to bicycling by providing affordable bicycle maintenance services and education.) If you're local, I hope to see you at the strut!!
Monday, September 15, 2008
Fay Gold Show & new "Susurro" Paintings

Tuesday, September 9, 2008
BUY ART
Sunday, September 7, 2008
Local Inspiration
Thursday, September 4, 2008
Summer Epiphanies & Discombobulation
Monday, September 1, 2008
His favorite paintings were blue...

Today I post tribute to honor the memory of my dear friend, collector, and mentor, Frank D'Ascenzo. While Frank's passing last week has me filled with great sorrow, it has also brought about an amazing sense of gratitude.


Tuesday, August 19, 2008
In Memory of "Serendipity #28"

Monday, August 18, 2008
Inspiring Photographer
Saturday, August 16, 2008
Anniversary

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Thursday, August 14, 2008
"Two Worlds"
It felt like Christmas yesterday when UPS showed up to deliver my most recent art acquisition! I now have "Two Worlds" (created by my dear friend, Jessica Pisano) in my personal art collection. This piece is from Jessica's latest series & featured in her solo exhibit this month at the Belushi Pisano Gallery on Martha's Vineyard. Her work is capturing the eyes of many and Cape Cod Life Magazine just did an artist profile on her in their latest Art Issue talking about this new series! I'm so glad I snagged "Two Worlds" before anyone else could... it's already hanging up in my living room and love it! This one is truly is a lil' beauty! .... Thanks, Jessica!
Tuesday, August 12, 2008
Art + Artisans Representation
Saturday, August 9, 2008
October Exhibition Cancelled

Thank you so much for your continued support!!
Friday, August 1, 2008
Fragile! Handle With Care...


Do not leave artwork outside (unless it is designed for outdoor viewing). Basements and garages are not recommended places to store artwork because of exposure to inclement weather, humidity, and dampness.
Do not throw, dropkick, dribble, juggle, finger-spin, break-dance upon, or otherwise disrespect your artwork. Treat it like art (and I say your heart!) and you'll enjoy a long and fulfilling life together.
Avoid letting dust accumulate on artwork. When dusting your artwork, use a can of compressed air, or a very soft, non-abrasive, lint free cloth. Paper towels are a no-no because they can leave tiny scratches.
Use a plastic cleaner, not commercial glass cleaner, on Plexiglas. (Art Addict recommends Novus Plastic Clean & Shine). Apply the plastic cleaner with a soft non-abrasive cloth. NOTE: Spray the cleaning solution on the cloth, never directly onto glass or Plexiglas.
Keep artwork away from dogs, flying fish, cats, flying cats, ponies, potbellied pigs, ferrets, llamas, constricting snakes, lemurs, monkeys (flying or otherwise), and pretty much any and all animals exhibiting claws, feathers, hooves, fangs, bottomless curiosity, and/or opposable thumbs.
When handling artwork, always try to use white art-handling cotton gloves. Never touch the surface of an unframed artwork without gloves; even clean hands leave a corrosive residue. To purchase art-handling gloves check your local art supply stores or click here.
Avoid damage to fragile edges and corners of artwork by padding the work during installation or hanging. Always use padding -- a blanket, bubble wrap, or foam -- when resting artwork on hard surfaces.
Never handle, move, or hang large works of art alone; you can easily damage the art. Or yourself. Art Addict's foot broke the fall of a large photograph she was hanging alone once. She broke a toe. The art was spared.
When packing and storing artwork, always use stable, pH-neutral, archival materials. If you are unsure what that means, contact your local art store or framer and they will show you materials that fit these requirements. One favorite tip for the handling of art is that the bubbles in the bubble wrap should always be on the outside.
Wednesday, July 30, 2008
Inspiring Others


Like the mythological bird that rises from its ashes, downtown Phoenix has been reborn.
The tallest residential building in Arizona, 44 Monroe, is one of many signs of the downtown’s rebirth. Located at Monroe and First streets, the 34-story, 196-unit condo tower is expected to be completed by mid-2009.
The building is next to the light rail and within walking distance of downtown businesses and attractions.
Not surprisingly, residents of 44 Monroe have incredible views of downtown Phoenix from inside their units and their balconies. The units also come with travertine tile in the kitchen and foyer areas, granite countertops in kitchens, sound- and fire-rated partitions and Kohler fixtures in bathrooms.
The eighth floor offers several community amenities: a fitness room, business center, conference room, community room with catering kitchen and outdoor grill area and a pool and spa area with restrooms.
A seven-floor parking garage, which has cameras and other security features, provides parking for residents. Additionally, there is metered parking on Monroe Street and parking garages in the area.
Prices go from $483,100 to $4.19 million. Size ranges from 965 to 4,268 square feet. Units come in a variety of one-, two- and three-bedroom floor plans.
Designed by San Diego-based Tucker Sadler Architects, the building was inspired partly by a painting from artist Jennifer J.L. Jones called “Five Elements.” The five vertical fins on the facade correspond with the five Chinese elements of nature — earth, wood, water, metal and fire — featured in the painting. The design element is also a theme in the building’s interior.
Friday, July 25, 2008
Seductive Savannah


... the 18th century garden squares surrounded by historical homes and stories, the soulful lull of being near the water, the incredible creative people that I always seem to meet at just the right moments and whom enrich my life in different ways... it's quite simply enchanting.




Monday, July 21, 2008
Enchantment Series & Fay Gold Opening



Thursday, July 10, 2008
Art I Love: Fay Gold Gallery Group Show

Tuesday, July 8, 2008
Martha's Vineyard & BPGallery Exhibition











Saturday, June 28, 2008
July 3rd Art Opening at Belushi Pisano Gallery

It's really almost time to fly off to Martha's Vineyard for my show - I can hardly believe it and I'm really getting excited!
As soon as I return I'll be putting finishing touches on the new paintings I've been working on for my group show coming up at the Fay Gold Gallery scheduled for the evening of Wednesday, July 9th in Atlanta. I'll be sure to get invites e-mailed out to everyone for that showing as soon as possible. For all of my dear friends and patrons who have faithfully been bugging me to have another show in Atlanta so you can actually attend one of my exhibitions... your chance is less than two weeks away! I hope you'll be able to save the date!
Fond thoughts going out to all of you today...
My love and best wishes,
Jennifer

Thursday, June 26, 2008
Fay Gold Opening, Kudos, Props, & Shout-Outs

Sunday, June 22, 2008
How To Lose 6 lbs. in 6 Days for only $1,045.00 !!

Thursday, June 12, 2008
Upcoming Shows, Wordy Updates & News

Sunday, June 8, 2008
Highlights from Santa Fe




Sunday, June 1, 2008
"Bloom" Solo Exhibition, Santa Fe, NM


Friday, May 16, 2008
Summer Exhibitions, News & Updates




Monday, April 14, 2008
Springtime Catch-up (News, Updates & Tidbits!)



Tuesday, April 1, 2008
InnerViews: Steve Hollingsworth
JJLJ: Hello Steve! First of all, let me welcome you to this session of InnerViews. I want to thank you for agreeing to be one of our featured artists!
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SH: I’m fascinated by the passing of time I suppose and our perception of it and our place in the world. Reading Philosophers such as Heidegger and Goethe was useful in addressing ideas of Being and the subjectivity and poetics of colour. I’m really fascinated and drawn to Philosophy as a way to provide concepts that help us understand the world.
SH: Sam Ainsley the former head of the MA program at Glasgow School of Art was incredibly helpful and supportive whilst I was a student and when I left. She’s a seminal figure in Glasgow and further afield. Working as a part-time art lecturer myself now she taught me the importance of generosity in teaching.

JJLJ: What are you currently working on?
SH: Well, when I meant to answer your questions late last year I’d been working on a video performance piece for Glasgow’s radiance festival which was in November last year. I’d been given a site in Glasgow I could develop a new work for, a hidden space in Glasgow’s Trongate area. The building surrounding the courtyard used to house the city’s lighting department and the courtyard itself is home to a few neon signs which have been removed from their usual context for preservation-the Mitre bar sign (the bar now derelict) and also Douglas Gordon’s Empire sign, again removed from it’s original home and waiting for a new site. I liked the fact that these signs are hovering. I wanted to produce a piece that made connections between the

JJLJ: How do you see your work influencing others?
SH: I find that quite hard to answer, I make work for myself first and foremost, I guess my work is immediately visual to can be read on many levels, I strive to make intriguing and engaging work, I’m a bit uncomfortable with influence.........
JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?
SH: Whilst in Japan on a year long residency at the CCA in kitakyushu, a few of us were featured in a local magazine, in talking about my work it was said “I had a child’s eyes” although it sounded odd, it rings true, I’m drawn to looking at the world with a naïve fascination.
JJLJ: What is your idea of personal success?
SH: I don’t have one really, Samuel Beckett said-’fail, fail better’
JJLJ: Are there any links you would like to share?
SH: Hoping to get my own web-site up soon!
www.samainsley.com
http://www.streetlevelphotoworks.org/ (click on radiance fest)
http://www.francismckee.com/
JJLJ: Thank you, Steve for contributing to InnerViews. We wish you continued success and look forward to following your career!
Monday, March 17, 2008
Stellers Gallery Annex Opening Reception

Image: © Jennifer J L Jones
Tuesday, March 11, 2008
Tuesday, February 26, 2008
Inspiring Images, Koi Fish Video & Sensai Series "Sneak Peek"
Many of you have been checking in with excitement ... asking about the progress and so patiently waiting to see the newest work and I wanted to thank you for your support and shared enthusiasm. (It's especially appreciated!) I thought I'd give a tiny "sneak peek" here on the blog of a few of the new pieces....
"Tanpopo I, II, & III"3 paintings, 40"x40" each
Mixed Media on Baltic Birch Wood Panels
© 2008 Jennifer J L Jones
And just for added fun, I'm also including a video & a few snapshots I've taken recently to share some of the things that have caught my eye and/or provided inspiration as I've worked on this latest series of work. Hope you enjoy....
Thanks again so much for your continued support and I look forward to sharing my latest images with you on my website soon!!
© Jennifer J L Jones
If you can't view this video here, please visit this .mac link:
http://gallery.mac.com/jenniferjonesart#100000
or this YouTube link:
http://www.youtube.com/watch?v=-dUpCHbKYnk
Sunday, February 17, 2008
InnerViews: Justin Baldwin
This InnerView features Netherlands-based painter, Justin Baldwin. Justin's paintings are currently exhibited in Scotland and the Netherlands. His work can be found in both private and public collections in the UK, USA, China, and Holland.
JJLJ: Hello Justin - Welcome to this session of InnerViews and thank you for agreeing to participate!
JB: Thanks for the invitation!
JJLJ: How did you come to work in the medium of painting?
JB: I experimented a lot with various media and dabbled in oils, but really acrylic paint is the media I am most comfortable with. I work very quickly when I paint and the way acrylic paint acts suits my way of working very well.
JJLJ: What continues to be a source of inspiration for your work?
JB: Many things inspire me, probably too many but the number one slot still goes to Nature as it is so diverse. It isn’t always about being immersed in a large landscape either. Often the smallest of things can inspire me: a wild flower growing on waste ground; blue tits eating seeds in a tree; a clear, starry night sky; the way a breeze will ripple the water in the nearby canal.
JJLJ: Is there anyone who has played a significant role in your career?
JB: Yes, one of my art tutors at college, the Scottish artist Terry McCrossan encouraged me to work in a more abstract format, loosening up the way in which I depicted what I saw around me, being less literal in the way I interpreted what I was painting.
JJLJ: What are you currently working on?
JB: I am currently working on a creation series, which attempts to convey through abstract paintings the emotional energy which comes through when reading the book of Genesis, the first book of the Bible. Generally the Creation story has been told and re-told by artists in a very conventional way and I wanted to interpret it in the abstract, going beyond the surface and the literal visual description and instead focusing in more on the emotional and spiritual.
JJLJ: How do you see your work influencing others?
JB: If you are talking about other artists, I’d like to think it would make them realize hope is as strong an emotion as despair. There is too much emphasis on the negative with a lot of art work, in my opinion. An artist may focus on strong emotions but these are often negative, whereas hope and love are equally strong but are generally positive. Positive art doesn’t need to be naive art, it can still portray great depth.
In regards to the wider viewer I’m not trying to give them a form of escapism, it is still very real, but I think the viewer is fully aware of the state of the world, they don’t need reminded of the terrible things that go on in the world, or of their own personal sufferings and sorrows. I would like to remind them that hope still exists (the sun still rises….) or we might as well all go and pack our bags.
JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?
JB: Some people claim to see all sorts of shapes and forms within my paintings. Once a woman claimed to see an elephant within my painting!
JJLJ: What is your idea of personal success?
JB: Whenever someone chooses to buy a piece of work from me it makes me feel ‘successful’. I have created a piece of art work which someone deems good enough to part with money for! So having sold, I already feel I have some success. A great ambition though would be if one day a piece of my work was to be bought and placed in a national collection.
JJLJ: Are there any links you would like to share?
JB: Saatchi Online site is a great international web site: http://www.saatchi-gallery.co.uk/yourgallery/
JJLJ: Thank you, Justin for contributing to InnerViews. We wish you continued success and look forward to following your career!
JB: Thanks it was a pleasure.
For more information on Justin's work, please visit his website: http://www.justinbaldwinartist.com
Friday, February 15, 2008
Group Exhibit at Artizen Fine Arts
I'm pleased to announce that this Saturday night (February 16th, 6-9 p.m.) is the opening reception at Artizen Fine Arts in Dallas for my next group exhibit, "Layer Upon Layer". This show is my first at Artizen and will feature a selection of my work along with artwork by Mary Farmer, and Stefany Hemming. The show runs February 16th through March 22nd. If you are in the Dallas area, please come out to this opening night celebration! Thanks so much for your support!!
Thursday, February 14, 2008
Valentine & "Love Letter"
Image: "Devil Jenny"© BRNR Art
"Love Letter"8"x8"
Oil on Canvas
© 2007 Diane McGregor
www.dianemcgregor.com
Sunday, February 10, 2008
InnerViews: Lynn Louise Larson
This InnerView features Athens, Georgia-based textile designer, Lynn Louise Larson ("Lylou"). Lynn designs hand crafted bags created from top-quality vintage and new upholstery fabrics. As a designer, her keen eye for innovative color combinations, unique patterns, and exquisite texture demonstrate her passion for beauty. Her designs have been featured in magazines such as Lucky, Athena, Georgia, and Deep and are carried throughout boutiques throughout the U.S. and Ottawa Ontario. She earned her BFA from the University of Northern Colorado in 1990.
JJLJ: Hello Lynn - Welcome to this session of InnerViews and thank you for agreeing to participate!
LLL: Hello, I am so happy to be part of your InnerViews. I started reading your blog a few months ago when you featured Ann Roth and have been very inspired by your interviews since then.
JJLJ: How did you come to work in textiles and designing Lylou bags?
LLL: I grew up at the foot of my mother's sewing machine. She would create the most amazing outfits and customs for me all throughout my schooling. Unfortunately, when I left home for university so did her sewing for me and I had to start fending for myself. –grin. That was when I started deconstructing clothing and began experimenting on my own. The University of Northern Colorado's Art School was the perfect environment to encourage me to push limits on creativity.
JJLJ: What continues to be a source of inspiration for your work?
LLL: Much like most artists I find inspiration all around me. I am continually amazed and inspired by the people around me. I am particularly inspired by my mother's beautiful birdhouses and Bibbi's delightful ceramic flowers. I am going through a big 'floral' and 'birds' phase at the moment. I am also inspired by Jillian's photography and her ability to always create the most amazing photos of my bags for publications and my website.
Other then people and their art, I am inspired by aromas, flavors, sounds, textures, and colors. I can't get enough of the things around me and at times I feel as if I am acting like a child with a new toy, but I can't help but be excited every morning I open my eyes to the world around me.
JJLJ: Is there anyone who has played a significant role in your career?
LLL: There are a few people that have been strong holds and influences in me 'going for it.' Of course there is my mother, then my friend Jonathan in NYC that was/is continually telling me I can 'do it' and when I am feeling overwhelmed gives me great advise and helps me organize my thoughts. My friend Brian has been a very intricate part of my success and always there with reassuring words and a kind heart. To be honest, there are so many friends that have been here for me that it would take hours to name them all.
JJLJ: What are you currently working on?
LLL: At this time I am working on two new designs for women's clutches. One of the clutches will retail for around $50 and be perfect for everyday use and a second one that will be more exotic and perfect for those 'special occasions, such as weddings, galas, or even a garden party. They are going to be very organic in form and influence by the flora in my garden. I hope to launch them by the end of February, just in time for spring.
I am also working on opening a high end house wares boutique in Athens. I have been tossing around the retail thing with a girlfriend for the past few months and we have decided to try our hand at our own shop. It is going to be a long road to completion, but fingers crossed we can get it up and running by next fall.
JJLJ: How do you see your work influencing others?
LLL: I am not sure if my 'work' has influenced others, but I think I have been very influential to others through my encouraging and positive attitude. I am a very 'driven' person and try to keep 'can't' out of my vocabulary. I am big at setting goals and finding ways to achieve them. It is a lot of hard work, but if there is a will there is a way. I try to always be available to lend assistance and network with others to help out others. It has not be me alone that has gotten where I am today and I am more then happy to include others in my good fortune.
JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?
LLL: I guess the strangest requests I had was to fix a woman's Kate Spade handbag, b/c she didn't want to spend the money on purchasing a new Kate Spade bag. Funny? Not really.
JJLJ: What is your idea of personal success?
LLL: My idea of personal success is having a happy home, filled with smiles and laughter and love…oh, and wine. -grin Living financially comfortable and working a career that I love. Having the time and ability to create on many different levels and share this interest with others around me.
JJLJ: Are there any links you would like to share?
LLL: Yes there are:
My Website
Bibbi
Jeff
Jillian
Jasey
Camilla
Ann Roth
Will
DeAnn
My Blog
JJLJ: Thank you, Lylou for contributing to InnerViews. We wish you continued success and look forward to following your career!
LLL: You are more then welcome and I look forward to reading your next interview.
For more information on Lylou's designs, please visit her website: www.lyloudesign.com
Monday, February 4, 2008
Art Papers Auction
Here are a few snapshots from the event...
Friday, February 1, 2008
InnerViews: Andrea Williams
This InnerView features Weymouth-based jewelry designer, Andrea Williams. Andrea's nature-inspired designs include the use of precious metals in conjunction with seemingly ordinary organic materials. She studied jewelry and metalsmithing at the Rhode Island School of Design and her work can be found throughout the U.S. including selected galleries in Pennsylvania, New Mexico, and Massachusetts.
JJLJ: Hello Dre - Welcome to this session of InnerViews and thank you for agreeing to participate!
AW: Thanks for having me. I'm honored you thought of me.
JJLJ: How did you come to work in jewelry and metalsmithing?
AW: When I was in High School in Maine I took a beginning jewelry class and was hooked. The idea that I could transform a hard piece of metal into something delicate using only fire and my own strength gave a focus to my already active interest in the visual arts. It satisfied my need to build something with my hands. The head of the Art Department / Jewelry Instructor at Gould Academy saw the spark in me and took me under his wing. Senior year he arranged for me to pursue an independent study and was instrumental in my applying to RISD.
JJLJ: What continues to be a source of inspiration for your work?
AW: Some people are people watchers. They sit in the crowd and study the details of the passers by. I sit on the beach or in the woods and study the details and patterns in the rocks, bark, and fallen leaves. The way the rocks were laid on the beach as the tide receded on near my mother's home were the catalyst for the Sa series of stone jewelry. I try to stay open to inspiration from any source. Our son Cosmus always sees with fresh eyes and is a constant source of ideas. He commented to me while walking our dog one evening, "Mommy, the moon is following me." That became the basis for a children's book I'm illustrating. In fact, sometimes I work on my visions before really thinking them through. While sitting in my living room, I realized I couldn't see the pond. Within 2 hours, the wall was bashed down to the studs. I met my husband at the door with a glass of wine and this disclaimer... 'I've done something, but keep an open mind, its gonna be great.'
JJLJ: Is there anyone who has played a significant role in your career?
AW: Jim Owen at Gould was instrumental in my taking the first steps. My husband not only does my web design and photography but also serves as my harshest and best critic as well as my muse.
JJLJ: What are you currently working on?
AW: My next series is a conceptual study in the zen of bird flocks, using birds as a surrogate for the spiritual beings within us. I'm particularly fascinated with the 'break away birds'- the ones that for some unseen reason choose to pull away from the masses. I am working on small silver and gold repousse´ panels of flocking birds. I am also using depletion guilding and patination to give dimension and depth.

AW: I hope that my work is an avenue for people to see the simple beauty that nature affords us. The birds nest we pass and never see, the wind making patterns in a field, the breakaway birds in a flock, the laugh lines on your lover's face when they smile, the multitude of polished stones we pass on the beach - too easily we miss the breathtaking beauty of these moments. My choice of materials make it impossible to use these works as status pieces. They are inherently designed to keep the wearer grounded.
JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?
AW: I keep a bowl of rocks as part of my display at a shows- one person asked if it was candy, another asked if the rocks were real. The funny thing about the bowl of rocks is it becomes a study of human nature. Some people instinctually reach out to touch the rocks -often unaware that they are even caressing them, others feel the need to ask permission.
JJLJ: What is your idea of personal success?
AW: My idea of personal success is to live on the water with the man that I love, and a child that we love, designing jewelry that inspires me and having people respond to it. Early in my career I worried too much about what the market wanted and finding a niche. It nearly broke my spirit and I took some time off to follow one of my other passions as a chef. The work I do now is a reflection of my confidence and focus. I have to connect with the work or I will not pursue it.
JJLJ: Are there any links you would like to share?
AW: My husband's site is markcraig.com. -worth having a look at for his balanced rocks alone.
JJLJ: Thank you, Andrea for contributing to InnerViews. We wish you continued success and look forward to following your career (& wearing your unique jewelry)!
AW: Thanks Jenny! I hope to see you at your show on Martha's Vineyard this summer.
For more information on Andrea's work, please visit her website: http://www.boundearth.com/

Monday, January 28, 2008
Art Papers 9th Annual Art Auction- This Saturday Night
Friday, January 25, 2008
InnerViews: Andrew Pollock
This InnerView features Virginia Beach-based cartoonist, Andrew Pollock. Andrew's comics include "The Grace Brothers", a daily style humor comic, and "WitchHound", a horror comic that combines his love of monster movies and H.P. Lovecraft style mythology.
JJLJ: Hello Andrew - Welcome to this session of InnerViews and thank you for agreeing to participate!
AP: My pleasure. Thank you for inviting me. Please, call me Andy. Andrew is what my wife calls me when she's angry.
JJLJ: How did you come to work in comics?
AP: Well, I don't know if you can really call it working in comics yet. Most of what I've done is my own stuff for my own web site and a few gigs for some people I met on a site called Comicspace, which is like MySpace for people who are in to comics. These folks are all independents and the work I've done for them has been pro bono. It's good exposure and keeps me producing which has helped me grow as an illustrator. In addition, some of their stuff has taken off. I did a story for an anthology that sold out its first self-published run and was picked up by a small publisher called AlternaComics and has since been accepted by Diamond Distributors (for those of you trying to break into the field, you know that's a pretty big deal). I also did a stand-alone story of my own character, WitchHound, for a book called Only in Whispers, that just came out, so we'll see where that goes. As I said, none of this has led to any income, but that's not really my goal anyway. I really just wanted to get out there and do something with the stories in my head and the work I've compiled over the years.
JJLJ: What continues to be a source of inspiration for your work?
AP: I don't know. My sources of inspiration sort of jump around as I find new things that appeal to me. I'm a huge fan of H.P Lovecraft and Robert E. Howard (Weird Tales anyone?) and I frequently go back and re-read their work to re-orient myself with the kind of atmosphere their stories evoke, so that's pretty constant. I love monster movies and recently saw The Host, which I think is a South Korean monster movie. I was really struck by the cultural differences in the way they presented the public reaction to the monster and the characters as opposed to the reactions you almost always see in American monster movies. Seeing that sort of thing makes me want to widen my scope as a story teller and try to imagine how different, frequently very un-heroic, characters might react in unusual circumstances. In reference to comic art, I'm a big fan of Mike Mignola (which is obvious to anyone who's read my WitchHound comic.) When I first read Hellboy and saw the really strong use of shadow he employed, I couldn't help but be struck by how moody it was and how perfect it was for the horror genre. It was like the mood created in old black and white monster movies. So he's a big inspiration.
AP: The usual suspects. My parents were always very supportive as far as they could be. Neither of them had any art or publishing background so they couldn't help much with direction, but they were always super positive about my abilities and ambitions, and have always helped out whenever and in whatever way they could. My wife has also played a significant role. She's the one that set me up on ComicSpace and has worked hard to get me exposure on the internet. She's sort of addicted to message boards and surfing the web so she incorporated my work as one of her web hobbies. Most of the comic stuff I'm currently working on is the result of connections she was able to make for me.
JJLJ: What are you currently working on?
AP: I have my own site called WickedSmash.com where I post my WitchHound story and a daily style comic called The Grace Brothers. I've been pretty bad about updating them lately because of other work I agreed to do that is taking up most of my time. The story I mentioned earlier for Only in Whispers is another thing. Originally it was going to be just a short 8-page story but once I started, it sort of grew and I couldn't do it in 8 pages. The publisher suggested I make it a two-parter with a cliff hanger, so now, even though the story's done, I still have to do the art for the second half. Also, another guy I met on ComicSpace asked me to draw some character sheets and the first 5 pages of a book called Case of Strange that he was going to try and sell to a publisher at one of the Comicons. I was able to produce most of the character sheets and the first three pages of the story before the Con, and I didn't really think about what would happen if he sold it. It just didn't occur to me. I'd agreed to do the sheets and few pages and didn't really think beyond that. Well, the story got picked up and the original request for character sheets and 5 pages turned into 18 pages for the first book and three more full books after that. The story is really fun and quirky, so I'm enjoying the work but it's a lot to do and it means I have almost no time to work on my own stuff. Oh well.
JJLJ: How do you see your work influencing others?
AP: Not at all, really. Except maybe in so far as they might look at it and say, "If he can do it, I sure as hell can do it."
AP: That's a hard one. Most of the comments have been pretty short and positive, folks saying they like the work and inviting me to check out their own stuff. My wife entered my WitchHound comic in an on-line contest last fall and I made it into the top ten out of, like, a 120 entrants (I was quickly booted in the second round). When I went in and checked out the other 9 in the top ten I realized that the taste of the judges clearly ran to more of an underground comic style, not my genre at all, but I liked that they felt my comic had a weird enough vibe to be included.
JJLJ: What is your idea of personal success?
AP: I think it's similar to that of most people striving to break into a creative field. To be able to make a comfortable living doing what I love. Obviously, just getting out there is the first step.
JJLJ: Are there any favorite links you would like to share?
AP: Of course, you can check out my comics at my own site, www.wickedsmash.com. and you can see samples of everything I'm working on at my ComicSpace account, also under WickedSmash. I think anyone who's into comics should check out ComicSpace.com. There are some really spectacular talents scattered around over there. In all honesty, there's alot of junk too, as well as a lot of material that doesn't appeal at all to me but probably does to other people, but if you're willing to surf around you can find some really impressive work. A lot of it is just sample stuff posted by people trying to sell their own work, but there are a few members like me that run a full comic that you can read for free. And, come on, what's better then getting entertained for free, right?
AP: Thanks for the opportunity. If anyone has any comments or wants to send me a message they can do it through my site or through ComicSpace if they have an account there. I say this because, like most independents, I toil away in a cramped little office in my house with no real evidence that anyone is looking at my work except fot the occasional e-mail from a reader. I find that when I start to feel like no one's out there, even a brief little, "How ya doin'?," makes all the difference in the world.
For more information on Andy's work, please visit his website.
Wednesday, January 23, 2008
Press Release: Stellers Gallery Annex to Feature Mixed-media Artist Jennifer J. L. Jones, March 14-April 18
Stellers Gallery Annex to Feature Mixed-media Artist Jennifer J.L. Jones, March 14 - April 18 Stellers Gallery Annex at Neptune Beach, FL will host the opening exhibit of renowned painter and mixed-media artist Jennifer J.L. Jones on Friday, March 14 . The exhibit will feature Jones in-person and her new exhibit, Sensai: Fragile Beauty. This is Jones' second solo exhibition at Stellers Gallery Annex and the artist's fourth exhibition at one of Tuttle's galleries. Neptune Beach, Fla. (PRWEB) January 23, 2008 -- Stellers Gallery Annex at Neptune Beach will host the opening exhibit of renowned painter and mixed-media artist Jennifer J.L. Jones on Friday, March 14 from 6 p.m. until 9 p.m. The exhibit will run through Friday, April 18. Stellers Gallery Annex is located at Beaches Town Center, 200 First Street in Neptune Beach. The exhibit will feature Jones in-person and her new exhibit, Sensai: Fragile Beauty. According to gallery owner Hillary Tuttle, the exhibit is Jones' second solo exhibition at Stellers Gallery Annex and the artist's fourth exhibition at one of Tuttle's galleries. According to Jones, her work is inspired by the seasons, weather patterns, and natural elements, to name a few. "The grace in a falling leaf from a tree in autumn, a pocket of air trapped in ice, the burnt edges on a flower in the hot summer, millions of crushed shells in the form of sand along the beach. The inspiration found in nature for my art seems endless," said Jones. "Beauty is everywhere and as an artist I interpret that beauty, trying to integrate my personal style, and put it out there for people to connect with. My work is part a spiritual search. It is a need to express what sometimes can only be felt; to create an experience unique to each individual," she said. "As I paint, each studio session becomes a form of meditation. My work is an intuitive process. The paint often dictates the final imagery and I allow this to be my guide. The colors I choose to glaze over one another create mood, atmosphere, and a 'vibration' of energy unique to each viewer interacting with the final piece," said Jones. According to Tuttle, each of Jennifer's paintings reveals a pattern, a rhythm, a color field, or a structure that is an ongoing nature-inspired process. "While the paintings represent the personal response of the artist to the environment, they strive to produce a universal response from viewers as well," said Tuttle. "As Jennifer's work evolves, the innate essence and beauty of her work continues to evoke inspiration derived from her painting imagery and technique," she said. Most recently, Jones' credits include her art as part of the permanent art collection at the U.S. Embassy in Lisbon, Portugal. Also, her latest solo exhibits include galleries in Sante Fe, New Mexico and in Martha's Vineyard, Massachusetts. Her work is collected throughout the world and owned by noted collectors including Oprah Winfrey and Judith Belushi Pisano. Throughout her career, Jennifer's paintings have been exhibited in select galleries located in the U.S. and abroad. One of her major installations includes a series of paintings entitled "Five Elements", which provided inspiration for the $75 million Tucker-Sadler designed, 44 Monroe residential high-rise in Phoenix, Az. The work of Jennifer J.L. Jones explores the many fundamental qualities of nature and the idea of energy and beauty through color, texture and the influence of nature. With a vast combination of mediums such as wax, asphalt, oil paint, paper textures and multi-laying, her work evokes emotions, thoughts, and universal connecting points in the observer. Stellers Gallery Annex is open Monday through Friday from 10 a.m. until 5 p.m. and on Saturday from 10 a.m. until 4 p.m. The phone no. is 904.247.7200. The Tuttle also owns Stellers Gallery at Ponte Vedra, at 240 A1A North, Ste. 13 in Ponte Vedra Beach, Fla. Stellers Gallery at Ponte Vedra is open Monday through Friday from 11 a.m. until 6 p.m., and Saturday from 11 a.m. until 4 p.m. The phone no. is 904.273.6065. For more information, contact Hillary Tuttle at 904.273.6065. ### |
Wednesday, January 16, 2008
Texas Gallery Representation

And second, I'm thrilled to announce that I just signed with Artizen Fine Arts, a contemporary gallery located in Dallas, Texas. A few of my paintings will be featured in their next group exhibition opening on Saturday, February 16th, 2008 (6pm-9pm). If my schedule allows I may try to make it out to the opening reception and hope to meet a few of you in the Dallas area if possible. For now, check out their website and put this event on your calendar!
Sunday, January 6, 2008
InnerViews: Diane McGregor
Our first InnerView to kick off 2008 features Santa Fe-based artist, Diane McGregor. Diane's abstract oil paintings are described as atmospheric mists of color and light, sometimes dissolving boundaries of geometric forms, suggesting a mysterious presence amid the austere minimalist grids. For over 20 years, her paintings have been exhibited and represented throughout the United States and are included in international public and private collections. A selection of Diane's paintings were recently acquired by the University of New Mexico Health Sciences Center for their permanent art collection. When she is not painting, Diane works as a licensed wildlife rehabilitator, caring for injured and orphaned birds and mammals.
JJLJ: Hello Diane- Welcome to this session of InnerViews and thank you for agreeing to participate!
DM: Thanks for inviting me, Jennifer.
JJLJ: How did you come to work in the medium of oil painting?
DM: Ever since I was 6 years old and got my first paint-by-number set I have loved oil paint, even the smell! I painted all through elementary and high school, and then in college I had to use acrylics and other media, but I’ve always preferred oil on canvas to any other media. I recently read an article about the painter, Karl Benjamin – he said that under a microscope, “acrylic will look solid, opaque, where oil looks like little red or blue jewels suspended in the medium. You can see light going through it, like the effect of stained glass.” Luminosity is an extremely important element in my current work.
JJLJ: What continues to be a source of inspiration for your work?
DM: Nature, the natural world, is my primary inspiration. The seasons are especially moving to me. I grew up in rural areas of Connecticut and New Jersey, so experiencing the seasons was part of my life and connected me to nature in a profound way at an early age. As an adult, I’ve lived in places without 4 seasons for a couple of decades (Tucson, Arizona, and then Hawaii). Now that I live in the mountains of Northern New Mexico, I am rediscovering the joys of watching time pass through seasonal shifts, and that is a humbling, yet comforting, experience.
I also am inspired by the work of other artists, particularly abstract art. I am fervently devoted to abstraction, and I’m always looking at what other artists are doing to express their ideas in an abstract language. I am constantly looking at art, whether it’s in museums, galleries, on the internet, in books, magazines, etc. Santa Fe is a remarkable place to live – it’s one of the top art markets in the US and it’s also surrounded by gorgeous scenery. So my inspiration is continually nourished by both of these things.
Music also influences and guides me as I work. In the studio, I listen almost exclusively to early vocal music, usually 11th-13th century, and mostly I prefer compositions sung by women. Hildegard von Bingen is my favorite composer, but I also listen to early English, French, and Italian compositions. The music transports me as I paint, and I feel this ancient and sacred connection to an earlier time. I think the purity of this music transcends time and helps to keep me focused on the purity I wish to impart to the viewer through my paintings.
JJLJ: Is there anyone who has played a significant role in your career?
DM: In high school, I was very blessed to have an art teacher, Laurence von Beidel, who took me seriously. He encouraged me and made sure I had the best oil paints and sable brushes to work with. I had a pretty rough time in high school, and art was my salvation and my refuge. Later, during my first year of art school at the University of Arizona, I had a professor who changed my life – Sam Scott. He introduced me to abstraction, and what being an abstract painter was all about. Sam continues to be a mentor to me – he lives in Santa Fe and we still get together and talk about art and career issues.
JJLJ: What are you currently working on?
DM: Over the past couple of years my style has evolved from organic/biomorphic abstraction into purely geometric abstraction. So I have been busy building up a new body of work. As I’ve explored the purity and clarity of geometric form, I find myself leaning more and more toward a minimalist viewpoint. I’m very excited about this shift in my work – I was involved with the more organic forms for over 15 years. I feel it’s important to keep expanding and evolving as an artist, although sometimes it’s scary to venture out of our comfort zones and established working methods.
I’m also getting involved in The Cradle Project. Artists from all over the world are making cradles to raise money to help the children of Africa. I went to an exhibition recently which highlighted some of the cradles that are being created, and it’s a wonderful and exciting project. Some of the cradles are functional; most are just exquisite works of art that incorporate the idea of holding and protecting. You can find out more about the project at http://www.thecradleproject.org/ I’m encouraging all artists to get involved.
An interesting connection here: I went to the Sahara in March of 2006, just when I was beginning to feel a change coming in my work – a movement away from organic abstraction and toward the clarity and perfection of geometry. Camping in the deserts of Niger with a group of Tuareg nomads, I was profoundly affected by the harsh beauty of the Sahara. I felt stripped bare of all unnecessary elements in my life and in my work. When I returned to my studio, I felt the definitive shift toward geometric order. I had also been moved by the plight of African children, how isolated they are and the reality of the desperate futures that await them. I came home wanting to do something for them, and by coincidence found out about the Cradle Project.


JJLJ: How do you see your work influencing others?
DM: There is so much suffering in the world. Through my paintings, I hope to invite people into a visual experience of beauty, peace, and tenderness. I want to remind people of the fragile beauty of the natural world. I seek to connect the viewer with their very deepest sense of who they are and why they are here.

JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?
DM: Well, it’s not strange or funny, but it’s one of the more memorable comments I’ve gotten. I was having a solo show at the Las Cruces Museum of Art (in Las Cruces, New Mexico). Just before the opening reception, I was standing outside admiring the sky – the sunset illuminated the undulating clouds in such a way that the sky looked like one of my paintings. A security guard at the museum was standing next to me. She told me she wasn’t able to understand my paintings at first, but after seeing those clouds she really “got it.” She was so excited about this newly-formed connection to abstraction – she was beaming. And, of course, so was I. As artists we are primarily communicators, and sometimes abstract artists have a tough go in being understood by the general public. I was delighted at having been able to communicate my reverence for Nature’s beauty with an abstract vocabulary.
JJLJ: What is your idea of personal success?
DM: It sounds trite, but: “To love what you’re doing, and to do what you love.” If you can wake up each morning, loving your life, loving what you have to do, that is success.
JJLJ: Are there any links you would like to share?
DM: Yes. My website. The Cradle Project. A great career resource for artists is : Alyson Stanfield's blog. The Astronomy Picture of the day is truly inspiring. And The Wildlife Center is an organization that I am very involved with.

JJLJ: Thank you, Diane for contributing to InnerViews. We wish you continued success and look forward to following your career.
DM: Thank you very much, Jennifer. It's been a pleasure.
For more information on Diane's work, please visit her website.
Friday, January 4, 2008
News, Updates & Announcements
I am also working on a selection of new paintings for a private exhibition scheduled later in February at Soho Myriad in Atlanta, Georgia. This meet & greet showing was requested by a very special client and will include three other artists. This is truly flattering to be selected from a long list of many talents for such an exclusive event. Soho Myriad not only exhibits my original paintings but they are also my print publisher. The recently helped The Westin select prints of my work ("Verdant Landscape I" & "Verdant Landscape II") for their Virginia Beach collection.

Last, but not least for this newsy post, I'm pleased to announce that the January/February issue of Atlanta Magazine's Home is out and features my painting "Sage Whisper" (created especially for designer Carla Kantola). The image can be found in the "Simply Spectacular" article on page 61.
I hope you've enjoyed the updates and news bits! I look forward to sharing more news & InnerViews with you in the coming weeks!!Thursday, January 3, 2008
American Embassy in Lisbon Art Collection
I'm excited to finally have a chance to share some of the latest news and goings on with all of you. The next few posts to my blog will fill you in and then lead us on to a few new InnerViews just completed and ready to be viewed!Mid-December was my chance to fly off to Portugal and collect a few of my paintings that had been exhibited and dearly missed by yours truly! It was quite an adventure! I met a lot of wonderful people in general and made a few special new friends, stayed at the incredible Pestana palace (which I highly recommend!), visited The Pena Palace- a castle in beautiful Sintra, put my international driving permit to excellent use (thank goodness I have experience driving in Atlanta!), and had a chance to attend a great book store and art gallery opening in Lisboa. As I post this, three of my paintings are on their way back to the U.S. and I'm thrilled to announce that "Blue Field IV" is now part of the permanent art collection at the American Embassy in Lisbon! I was honored to have the U.S. Ambassador to Portugal himself (Thomas F. Stephenson) meet with me for an official ceremony and was truly on "cloud 9" to see how excited everyone was about the painting becoming a part of their collection! This is most definitely going on my resume and special art collections list!
Another exciting development since I have returned to the states is that I have been offered an exhibition by the owner of the new gallery I visited in Lisboa. With a busy show schedule already this year, I'm looking forward to working out a future exhibition date and returning to Portugal again. What a great way to celebrate the ending of 2007 and the beginning of 2008!--Stay tuned for the next posts!--
Tuesday, January 1, 2008
!!! Happy New Year !!!

As I watched the celebratory fireworks bursting and showering in the sky last night above my head, a huge sense of relief washed over me that 2007 was now gone and 2008 has officially arrived. I hadn't thought too much about it up until that point in all honesty (other than feeling like time is moving so quickly), but what I felt after witnessing a few explosions of star-burst, smokey colours in the darkness, was a surge of pure excitement for what is to come in the new year!

2007 was a fantastic year for my artwork- how blessed I've felt to have been able to travel, enjoy exhibitions internationally, and the many wonderful opportunities to share my work with all of you both online and in person!! It's truly an honor to create from the heart and have my work resonate with viewers all over the world.

To my special fans, friends, family, clients, patrons, peers, and secret blogging viewers-- thank you for a spectacular year!! I can't wait to blog later this week to share the many exciting announcements and bits of news I've been keeping under my hat. Check back in a day or two for the latest... and don't forget to continue reading the special InnerViews series - those already posted and upcoming. We have some extremely inspiring and talented individuals out there to celebrate every day!! I hope the new year brings you & yours the hope, energy, peace, love, and happiness that makes it all worth it.
My heart-filled thanks goes out to all of you!! Wishing you an Inspiring and Very Happy New Year!!
~jennifer
Saturday, December 29, 2007
InnerViews: Katy Horan
Image: © Katy Horan
JJLJ: Hello Katy! First of all, let me welcome you to this session of InnerViews. I want to thank you for agreeing to be one of our featured artists!
What is your preferred media and can you tell us a little bit about your drawings included in the Yoriyos "Pied Piper" video?
KH: Right now I work in acrylic and gouache on stained wood. I draw a lot too. I am a big fan of simple pencil on paper and it's nice to see more graphite drawings in galleries these days.
The process we used for the Yoriyos video was really interesting. I drew a ton of images….trees, animals, characters, textures…just lot's of visual elements in multiple views. They were then scanned and the director and animator applied them to 3d models in the computer and animated them then. It was a lot of work and I had major wrist problems afterwards, but it was worth it.
The Pied Piper Video (by Yoriyos)
Credits:
Band: Yoriyos
Title: The Pied Piper
Agency: Rarechords, London
Production Company: Greencard Pictures, New York/ Seaworthy Films, New York
Director: Ron Winter with Jon Watts
Producer: Alicia Van Couvering
3D Animation: Ron Winter, Ian Wilmoth, Bobo Do, Colin Hess
Illustrated by Katy Horan
DP: Matt Santo
Compositing: Ron Winter
Photoshop: Lilah Montgomery, Liz Riccardi
JJLJ: What continues to be a source of inspiration for your work?
KH: Folk art and folk music continue to be very important. It keeps me grounded and reminds me that art doesn't have to be influenced by trends or glamour.
Image: © Katy Horan
JJLJ: Is there anyone who has played a significant role in your career?
KH: My parents are very supportive, so I feel very lucky for that. So far there have been a handful of other artists and gallery people who I have come in to contact with. They have all helped as much as they can, just as I try to help them out as much as I can.
Image: © Katy Horan
JJLJ: What are you currently working on?
KH: I am in the final weeks of getting work done for a big group show at White Walls in San Francisco. It is the biggest, most professional gallery I have ever shown at, so I am being extra obsessed with the quality of what I am making.
Image: © Katy Horan
KH: I haven't seen influence from my work yet. I do think there is a group of young artists working currently that all influence each other in the most subtle, even subconscious ways. The most bizarre thing is that sometimes a couple of us will come up with very similar ideas at the same time, but in different parts of the country without discussing it with each other first. It's like there's a collective unconscious that's always there. I find that really magical.
JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?
KH: I can't really think of anything that strange…I think my mind is just blanking. Sometimes I hear that my work reminds someone of the dreams they've had as a child….I really like that.
Image: © Katy Horan
KH: Personal success is when you have found your artistic voice and you are allowed the time and space to explore it. I think that allowing yourself to slow down and enjoy the work and the process is also a mark of personal success.
Image: © Katy Horan
KH: Sure, this is my website: www.katyart.com
This is a really wonderful online shop run by my friend Kelly Lynn Jones who is also an awesome artist herself): www.littlepaperplanes.com
These are some artists that I really dig and admire:
Evan B harris (out of Portland, Or) http://www.evanbharris.com
Kathleen Lolley (out of Louisville, Ky) http://www.kathleenlolley.com
Alex Lukas (out of Philly) http://www.alexlukas.com
there are a million more, but I'll just leave you with those right now.
Oh yeah…this is a Bjork video that I'm in (I'm one of the jumpers).
http://www.spinner.com/2007/12/05/bjork-declare-independence-video-of-the-day/
JJLJ: Thank you, Katy for contributing to InnerViews. We wish you continued success and look forward to following your career into the New Year!
KH: You are very welcome!
For more information on Katy's work, please visit her website.
Friday, December 21, 2007
Happy Holidays!

I'm back from a successful trip to Portugal, just in time to play a little catch up and celebrate the holidays. There is quite a bit of exciting news to share with all of you, but will have to wait until after some of the seasonal festivities have their fair shake, so stay tuned... More soon!! In the mean time... Know that I am wishing all of you every joy of this beautiful season and a New Year full of all things good (including more ART!)
Warmest Wishes to you and yours....
~jennifer
Tuesday, November 27, 2007
News & Updates
Time is flying... and I know we all feel it. I was reminded of this not only by the shock of Thanksgiving coming and going in what felt like a quiet 'blip' this year for me, but also was reminded yesterday when I received my first Christmas card of the season! There was also a 'Happy New Year' blessing included and while coming from a dear person in my life, I have to admit the shock of time never escapes! I admittedly am a little behind in that regard this year... something a little unusual for me, but that just means things have been good and busier than usual!
That being said, I've just completed a new commissioned painting for the JW Marriott in Houston,Texas. This painting will be installed and exhibited in the lobby as part of their permanent collection, and just in time for the grande opening.
Also, the Phoenix Squaw Peak Hilton has just acquired a selection of giclee prints of my work to install in their Guest Rooms and Casitas. I recently visited several hotels that own my prints and a few original commissioned works and I'd be lying if I said I didn't get a kick out of it and have someone take my picture next to the artwork. It really is a joy to know that my work can be viewed in such busy public spaces. I only hope this continues for the new year. With the help of a new art consultant I am thrilled to be working with now, my artwork is being seriously considered for her client collections located in China as well as London. I hope to post more related new soon!
And speaking of international ideas... I'm off to Portugal soon to reclaim and bring home a selection of my paintings that were on display for over a year and that I have missed dearly. Last time I was in Portugal I was completely blown away by the beauty and culture-- let's hope I still want to come back once I'm over there!
Thursday, November 22, 2007
InnerViews: Ann Roth
This InnerView features Atlanta-based actor and designer, Ann Roth. Ann creates custom designed shoes for women and was voted best local designer in the SP Sunday Best Reader's 2007 Choice Awards. Her unique shoes are available exclusively through nationally selected boutiques.
JJLJ: Hello Ann - Welcome to this session of InnerViews!
AR: Thanks so much, Jennifer. I'm honored that you picked me!
JJLJ: How did you become a shoe designer?
AR: Well, shoe design sort of found me. I was in a play several years ago, and my dance shoe came apart. My dance partner gave me some super-strong glue to fix it, and that night I thought it might be cool to also glue buttons and bows to existing shoes in my closet. That led to covering a pair of old leather mules in fabric, and then taking apart a few pairs to see how they were made. Shoe design and learning about shoe construction became an obsession of sorts, so I spent every free moment researching and reading anything I could about it. During these months of experimenting and research, I came across a pair of fabric shoes in a magazine and fell in love. I woke up several days later with a vision of blue toile espadrilles with silver sequins. I went to the fabric store that day, bought some blue toile, and went to work creating what I had envisioned. I wore these shoes everywhere I could, and soon friends and family were asking for their own creations. One of these friends (Sabrina Sexton) suggested I go into business and offered to create my website and take some photos (she is unbelievably talented). I never questioned it- I just knew that was what I was supposed to do, so I went for it. I quickly learned that I needed manufacturing help because my grandma's sewing machine just couldn't do everything I wanted it to. So, after several more months of research and talking to everyone I could, I found a manufacturer and sent them my prototypes. I launched my website in March of '06 and quit my full-time office job that June. It's been an amazing ride ever since.
JJLJ: What continues to be a source of inspiration for your work?
AR: EVERYTHING. My method in shoe design as well as acting is to keep my eyes wide open and try and absorb every experience and sight that I can. Then, when it comes time to do the 'work', I just allow what's inside me to come out and be translated into whatever it is I happen to be working on. It's always surprising to see what happens. But as far as tangible inspirations, I have met so many other designers and artists whose passion and positive energy totally keeps me going. I love reading biographies and trade journals, so I'm also inspired by most any kind of entrepreneur. And of course, I look up to so many shoe designers throughout history: Salvatore Ferragamo, who created his first pair of shoes for his mom when he was twelve because she didn't have any nice shoes to wear to church. That is my favorite and reminds me that humble beginnings often lead to the greatest discoveries and creations.
JJLJ: Is there anyone who has played a significant role in your career?
AR: Oh my goodness - who hasn't? If it weren't for the wonderful encouragement from family, friends, customers, boutiques, the press --- pretty much anyone who has liked my shoes has helped me get to where I am now. I am so thankful for each and every one of them. But I must give a special shout-out to two people: Sabrina, my friend and web designer/ photographer who not only believed in me from the very beginning, but has also contributed to my success because her pictures and web design are just so darn good. And also my husband Randy who believed in me enough to encourage me to quit my day job last year and pursue shoes full-time. He has been everything from my box painter to my accountant, business partner and coach, and best friend. He's one in a million.
JJLJ: What are you currently working on?
AR: I'm currently partnering with Coleccion Luna on a shoe made of vintage fabric recycled from skirts and clothing in Guatemala. Each pair is unique and slightly different and 20% of all the sales will go to WIN NOW, a non-profit organization that supports charitable causes in Latin American countries. Right now they are teamed up with CARE International to help stop the cycle of poverty in Guatemala City. We're calling the shoe 'Cha-Cha Chica' because it's fun and sassy but with Latin roots that help a great cause.

JJLJ: How do you see your work influencing others?
AR: I hope that I inspire others to pursue their creative dreams in one way or another. Not everyone has to start a business (I wouldn't wish it on just anyone), but I try to encourage folks to find a way to take that art class, learn to belly dance, or travel to India if that's their dream. You only go around once in this life, and I believe we are meant to live each day to the fullest.
JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?
AR: Hmmm... I guess I haven't had a whole lot strange or funny questions. My favorites though, are the custom design requests that are really personal and unique. Like one lady wanted a shoe with a southwest theme, so I used a serepe fabric and embellished them with leather ties and turquoise beads. When a good friend got certified for scuba diving, I did a pair of 'divers down' shoes with the red and white flag on the toe and little glass fish dangling from the heel. I've done pirate-themed shoes, owl shoes, even a 'rhinestone cowboy' shoe of faux python with a huge feather and a rhinestone buckle on the toe. These one-of-a-kind creations are my favorite and I think it's absolutely endless what can be done.
JJLJ: What is your idea of personal success?
AR: I feel most successful when I have had a productive day, have inspired someone or have been inspired. That and having some money in the bank, some to enjoy, and some to give away - I'd call that success.
JJLJ: Are there any links you would like to share?
AR: Wow - how many can I list? For starters, www.beehiveco-op.com is a store in Atlanta that carries all local designers. Everything from shoes to clothing to lamps, jewelry, belts, home decor - there's even a girl who makes homemade cupcakes everyday and delivers them. It's a pretty neat store and a lot of my fellow designer friends were introduced to me there. Katriesa Raines is a good friend and fantastic clothing designer - she introduced me to the Beehive. Her line is Olive - www.olivestyle.com - and she does the most adorable dresses and jackets I've ever seen. There are a few other designers not at the Beehive I'd like to share: www.coleccionluna.com - she has her bags made in Guatemala from vintage dresses and hand-loomed fabric. She supports several sewing co-ops there and has even started a non-profit called Word In Need Now that supports charitable causes in Latin American countries. There's also www.barijonline.com out of San Francisco - super cute handbags made from patchwork and fabric strips - she adds vintage brooches to every bag so each one is unique. I also just met Lynn of www.lyloudesigns.com. She's in Athens, GA. Fun, user-friendly bags made of cool fabric. I like the slightly bohemian vibe of them since I am a closet hippie myself! Gosh - I seem to be doing all handbags. I guess I like fabric a whole lot! And of course I have to repeat - www.sabrinasexton.com - my fabulous photographer and friend - she is hands down one of the best photographers I've seen and so humble about it.
JJLJ: Thank you, Ann for contributing to InnerViews. We wish you continued success and look forward to following your career (and wearing your designs!)....
AR: Thank you so much! I can't wait to read the future InnerViews! What a great idea.





















































