Springtime Catch-up (News, Updates & Tidbits!)

Spring Break, Jacksonville Beach, FL

Hello and Happy Spring!

Hopefully spring has found at least some of you out there...  In ATL it's been happening slowly... mostly in the form of waves of pollen and occasional varied weather outbursts. After a couple of days of nearly 80 degree weather, yesterday was cold again and slightly rainy with hail. I ventured out of the studio to get a few needed supplies and received what I think is probably the funniest thing a stranger has said to me in awhile... 

"Be careful out there sweetie, and don't get wet. Sugar melts, you know!" 

Only in the south. Rain or shine! :-)  Luckily today is blue skies and sunshine... a perfect painting day!

So, as I'm just about to head into the studio I realize I've successfully neglected keeping up with my sharing of the latest news & interview blogging a bit. It haunts me somewhat because I have wonderful news to share and more than half a dozen amazing artists who have agreed to be interviewed, but time is always having its say, so those are slightly delayed again. (The daunting time was noted and made apparent by my recent birthday as well! So happy to have celebrated with some of you locally-- Special thanks! xxoo)

Blowing out ONE candle at the Chocolate Bar while friends cheer me on--! I'm soooo young!! :-)

ANYway, I just found out that one of the talented artists featured on the InnerViews segment has had even more ongoing success since we interviewed him. I wanted to brag a bit about Doug Fogelson because he's got some seriously exciting things going on in the art world and I'm definitely wanting to toot a few horns to celebrate his accomplishments! (Plus, I'm a proud collector of his work!) Congrats, Douglas!!

 Check this out:

I'm spending as much time as I can in the studio working on my new series "Bloom" for the

upcoming solo exhibition in Santa Fe scheduled next month at Hunter KirklandContemporary. 

AND... I'm also trying to get a few new paintings ready for the Fay Gold Gallery!  Fay has offered to represent my work exclusively in Georgia and I'm absolutely thrilled to share this exciting news with you! Our official announcement will be sent out as soon as I'm able to complete a few new pieces for their inventory. . .  In the meantime, I hope you'll check out Fay Gold Gallery in person as well as visit their website-- the artists are among the finest including photographer, John Folsom.   John just had an opening on April 2nd and I've become a big fan of his work over the past couple of years. Trust me, you won't want to miss checking out his latest series! 

Also, thanks to my webmaster, a slide show of images from my "Sensai: Fragile Beauty" solo exhibition is now online for viewing. 

And... the gallery that I've signed on with in Dallas, Texas (Artizen Fine Arts) had a great turn out and showing in February. I have a snapshot, but have been molasses s-l-o-w in posting it. I believe my next show in Dallas will be this October.... stay tuned! 

Layer Upon Layer, Group Show, Opening Reception, February 16th, 2008

Artizen Fine Arts, Dallas, TX

Last, but not least... I'm pleased to make mention that my work & prints have recently been placed in the following collections:

Shangri-la Residences, Jakarta, Indonesia

JW Marriott, Houston, Texas

Phoenician Villas, Scottsdale, Arizona

Hyatt at Fisherman's Wharf, San Francisco, California

Westwood Palomar, Los Angeles, California

Southern Healthcare, Atlanta, Georgia

Hyatt Regency, Marietta, Georgia

Pointe Hilton Squaw Peak Resort, Phoenix, Arizona

Half Moon, Montego Bay, Jamaica, West Indies

Hyatt, Reston, Viriginia

Hope you will enjoy viewing all of these images online... reading the article on Douglas... and getting ready to go out to more art exhibitions wherever you are! 

Thank you so very much for your continued support!! I look forward to hearing from you soon... and sharing more news as it happens. Or as soon as I can thereafter! 

Best to all... And as my friend Manuel in Portugal says... 

Beijinhos!

~Jennifer

InnerViews: Steve Hollingsworth

InnerViews:  A Creative Interview with Steve Hollingsworth

This InnerView features Glasgow-based Artist, Steve Hollingsworth. Steve is a Scottish sculptor and installation artist. He works with neon and video, transforming every day objects into a spectacle. Earlier projects saw him incorporating refrigeration systems into his work.

JJLJ:   Hello Steve! First of all, let me welcome you to this session of InnerViews. I want to thank you for agreeing to be one of our featured artists!

How did you come to work in the media of neon?

SH:   I first started using neon whilst I was an MA student at Glasgow School of art (1992-94), the MA course technician Jim Lambert took me to a neon fabricating firm locally. I’d been using light in my work since undergraduate days and I was fascinated in neon’s ability to be bent into lines of light and its ethereal, other worldly qualities. I’m still seduced by it and its possibilites. Whilst on the course I took a semeter at the School of the Art Institute of Chicago where they had their own neon department, many cuts and burns later I’d managed to fabricate some neon myself. Neon for me has really interesting resonances in terms of where its located in time, referring to the past and the future simultaneously, its a pretty primitive light source- a spark in a vacuum, metaphorically rich.

JJLJ:    What continues to be a source of inspiration for your work?

SH:   I’m fascinated by the passing of time I suppose and our perception of it and our place in the world. Reading Philosophers such as Heidegger and Goethe was useful in addressing ideas of Being and the subjectivity and poetics of colour. I’m really fascinated and drawn to Philosophy as a way to provide concepts that help us understand the world.

JJLJ:   Is there anyone who has played a significant role in your career?

SH:   Sam Ainsley the former head of the MA program at Glasgow School of Art was incredibly helpful and supportive whilst I was a student and when I left. She’s a seminal figure in Glasgow and further afield. Working as a part-time art lecturer myself now she taught me the importance of generosity in teaching.

JJLJ:   What are you currently working on?

SH:   Well, when I meant to answer your questions late last year I’d been working on a video performance piece for Glasgow’s radiance festival which was in November last year. I’d been given a site in Glasgow I could develop a new work for, a hidden space in Glasgow’s Trongate area. The building surrounding the courtyard used to house the city’s lighting department and the courtyard itself is home to a few neon signs which have been removed from their usual context for preservation-the Mitre bar sign (the bar now derelict) and also Douglas Gordon’s Empire sign, again removed from it’s original home and waiting for a new site. I liked the fact that these signs are hovering. I wanted to produce a piece that made connections between the

site, its context and other histories. I wanted to re-work an earlier piece involving cycling and neon. I contacted cyclists though a web-site called critical mass, a pressure group who meet once a month and cycle en mass though the city. I managed to get about 20 cyclists interested in working with me. It was quite a logistical feat- I had to meet each cyclist and equip their bikes with a blue neon tube and a dynamo-the neon glows only when the cyclist is moving. I’d a few ideas of what I wanted but it was really an organic process and I couldn’t be sure of what the resultant film would look like. I’d identified a site quite close to where I live in 

the west end of Glasgow and the University-Kelvingrove park. Neon was discovered at the university by Sir William Ramsay (Ramsay discovered helium in 1895. Guided by theoretical considerations founded on Mendeleev's periodic system, he then methodically sought the missing links in the new group of elements and found neon, krypton, and xenon (1898). The film is a performance where cyclists gradually start to cycle in a circle on an old football pitch in the park, the viewer see’s a blue vortex of light gradually build up and dissipate. The viewer can’t make out any distinct individuals, just a growing blue trail, a cypher for energy and temporary connections. The finished film is called peloton and was projected into the Tontine courtyard.

JJLJ:   How do you see your work influencing others?

SH:   I find that quite hard to answer, I make work for myself first and foremost, I guess my work is immediately visual to can be read on many levels, I strive to make intriguing and engaging work, I’m a bit uncomfortable with influence.........

JJLJ:    What is the strangest or funniest comment or question you've ever gotten about your work?

SH:   Whilst in Japan on a year long residency at the CCA in kitakyushu, a few of us were featured in a local magazine, in talking about my work it was said “I had a child’s eyes” although it sounded odd, it rings true, I’m drawn to looking at the world with a naïve fascination.


JJLJ:   What is your idea of personal success?

SH:   I don’t have one really, Samuel Beckett said-’fail, fail better’

JJLJ:   Are there any links you would like to share?

SH:   Hoping to get my own web-site up soon!

www.samainsley.com
http://www.streetlevelphotoworks.org/ (click on radiance fest)
http://www.francismckee.com/


JJLJ:   Thank you, Steve for contributing to InnerViews. We wish you continued success and look forward to following your career!

Stellers Gallery Annex Opening Reception

What a weekend!! First and foremost, thanks to all of you who have been asking about my well-being. I'm happy to report that the extreme weather missed my Atlanta home studio over the weekend. While the storms and tornadoes were unfortunately beating up parts of ATL, I was actually celebrating at my opening reception in Neptune Beach, Florida at Stellers Gallery Annex ....

.....(and enjoying my proximity to the Atlantic Ocean!)

Sunrise, Jacksonville Beach, FL
Image: © Jennifer J L Jones

The show Friday night was a huge success and I'm pleased to have met so many of you...

and thrilled to have had the opportunity to share my work with you in person. The positive reaction to this series fills me with inspiration and my next series of paintings, "Bloom", is now underway and will debut at my Santa Fe solo exhibition at Hunter Kirkland Contemporary at the end of May.

Hope you enjoy a few of these snapshots from the opening. A new slide show of installation shots & more candid pics from this exhibition should be available on my website soon. In the meantime, to view the entire "Sensai" series images please visit my website and/or visit Stellers Gallery website.

Thanks again so much for your incredible support!!

~Jennifer

p.s. Stay tuned for more blog "InnerViews" as well... our next artist to be featured is Glasgow artist Steve Hollingsworth!

Opening Reception this Friday Night

Inspiring Images, Koi Fish Video & Sensai Series "Sneak Peek"

With my Sensai Series nearing completion and just about ready to be professionally photographed... twenty of my new paintings will soon ship to Stellers Gallery for my solo show opening on March 14th & the invitations should be on their way soon...

Many of you have been checking in with excitement ... asking about the progress and so patiently waiting to see the newest work and I wanted to thank you for your support and shared enthusiasm. (It's especially appreciated!) I thought I'd give a tiny "sneak peek" here on the blog of a few of the new pieces....

"Tanpopo I, II, & III"
3 paintings, 40"x40" each
Mixed Media on Baltic Birch Wood Panels
© 2008 Jennifer J L Jones

And just for added fun, I'm also including a video & a few snapshots I've taken recently to share some of the things that have caught my eye and/or provided inspiration as I've worked on this latest series of work. Hope you enjoy....

Thanks again so much for your continued support and I look forward to sharing my latest images with you on my website soon!!

Koi Fish Pond (St. Augustine, FL)
© Jennifer J L Jones

If you can't view this video here, please visit this .mac link:

http://gallery.mac.com/jenniferjonesart#100000

or this YouTube link:

http://www.youtube.com/watch?v=-dUpCHbKYnk

Koi Pond Reflection, St. Augustine, FL
Image © Jennifer J L Jones

Silhouette, St. Augustine, FL
Image © Jennifer J L Jones

Sky I, Atlanta, GA
Image © Jennifer J L Jones

Sky II, Atlanta, GA
Image © Jennifer J L Jones

InnerViews: Justin Baldwin

InnerViews: A Creative Interview with Justin Baldwin

This InnerView features Netherlands-based painter, Justin Baldwin. Justin's paintings are currently exhibited in Scotland and the Netherlands. His work can be found in both private and public collections in the UK, USA, China, and Holland.

Justin in his studio

JJLJ: Hello Justin - Welcome to this session of InnerViews and thank you for agreeing to participate!

JB: Thanks for the invitation!

"Orchid"
40 x 40 cm
© Justin Baldwin

JJLJ: How did you come to work in the medium of painting?

JB: I experimented a lot with various media and dabbled in oils, but really acrylic paint is the media I am most comfortable with. I work very quickly when I paint and the way acrylic paint acts suits my way of working very well.

"See How They Grow"
60 x 60 cm
© Justin Baldwin

JJLJ: What continues to be a source of inspiration for your work?

JB: Many things inspire me, probably too many but the number one slot still goes to Nature as it is so diverse. It isn’t always about being immersed in a large landscape either. Often the smallest of things can inspire me: a wild flower growing on waste ground; blue tits eating seeds in a tree; a clear, starry night sky; the way a breeze will ripple the water in the nearby canal.

"Banished"
© Justin Baldwin

JJLJ: Is there anyone who has played a significant role in your career?

JB: Yes, one of my art tutors at college, the Scottish artist Terry McCrossan encouraged me to work in a more abstract format, loosening up the way in which I depicted what I saw around me, being less literal in the way I interpreted what I was painting.

"Adams Toil B"
© Justin Baldwin

JJLJ: What are you currently working on?

JB: I am currently working on a creation series, which attempts to convey through abstract paintings the emotional energy which comes through when reading the book of Genesis, the first book of the Bible. Generally the Creation story has been told and re-told by artists in a very conventional way and I wanted to interpret it in the abstract, going beyond the surface and the literal visual description and instead focusing in more on the emotional and spiritual.

Justin in his studio

JJLJ: How do you see your work influencing others?

JB: If you are talking about other artists, I’d like to think it would make them realize hope is as strong an emotion as despair. There is too much emphasis on the negative with a lot of art work, in my opinion. An artist may focus on strong emotions but these are often negative, whereas hope and love are equally strong but are generally positive. Positive art doesn’t need to be naive art, it can still portray great depth.
In regards to the wider viewer I’m not trying to give them a form of escapism, it is still very real, but I think the viewer is fully aware of the state of the world, they don’t need reminded of the terrible things that go on in the world, or of their own personal sufferings and sorrows. I would like to remind them that hope still exists (the sun still rises….) or we might as well all go and pack our bags.

"Eden"
© Justin Baldwin

JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?

JB: Some people claim to see all sorts of shapes and forms within my paintings. Once a woman claimed to see an elephant within my painting!

JJLJ: What is your idea of personal success?

JB: Whenever someone chooses to buy a piece of work from me it makes me feel ‘successful’. I have created a piece of art work which someone deems good enough to part with money for! So having sold, I already feel I have some success. A great ambition though would be if one day a piece of my work was to be bought and placed in a national collection.

"Morning Glory"
90 x 90 cm
© Justin Baldwin

JJLJ: Are there any links you would like to share?

JB: Saatchi Online site is a great international web site: http://www.saatchi-gallery.co.uk/yourgallery/

"Eve Blushed"
© Justin Baldwin

JJLJ: Thank you, Justin for contributing to InnerViews. We wish you continued success and look forward to following your career!

JB: Thanks it was a pleasure.

For more information on Justin's work, please visit his website: http://www.justinbaldwinartist.com

Group Exhibit at Artizen Fine Arts

I'm pleased to announce that this Saturday night (February 16th, 6-9 p.m.) is the opening reception at Artizen Fine Arts in Dallas for my next group exhibit, "Layer Upon Layer". This show is my first at Artizen and will feature a selection of my work along with artwork by Mary Farmer, and Stefany Hemming. The show runs February 16th through March 22nd. If you are in the Dallas area, please come out to this opening night celebration! Thanks so much for your support!!

Valentine & "Love Letter"

In celebration of Valentines Day, I'd like to share one of my personal favorites... created by BRNR Art. I don't think you'll find this image on any Hallmark Card out there though, unfortunately.

Image: "Devil Jenny"
© BRNR Art

My most recent art acquisition arrived yesterday via FedEx! The painting "Love Letter" by Diane McGregor captured my heart when I saw it during our recent InnerView about her work. How could I resist this little gem? And just in time for Valentines Day.... Thanks, Diane!!

"Love Letter"
8"x8"
Oil on Canvas
© 2007 Diane McGregor
www.dianemcgregor.com

InnerViews: Lynn Louise Larson

InnerViews: A Creative Interview with Lynn Louise Larson

This InnerView features Athens, Georgia-based textile designer, Lynn Louise Larson ("Lylou"). Lynn designs hand crafted bags created from top-quality vintage and new upholstery fabrics. As a designer, her keen eye for innovative color combinations, unique patterns, and exquisite texture demonstrate her passion for beauty. Her designs have been featured in magazines such as Lucky, Athena, Georgia, and Deep and are carried throughout boutiques throughout the U.S. and Ottawa Ontario. She earned her BFA from the University of Northern Colorado in 1990.



JJLJ: Hello Lynn - Welcome to this session of InnerViews and thank you for agreeing to participate!

LLL: Hello, I am so happy to be part of your InnerViews. I started reading your blog a few months ago when you featured Ann Roth and have been very inspired by your interviews since then.

Lylou on the cover of Georgia Magazine

JJLJ: How did you come to work in textiles and designing Lylou bags?

LLL: I grew up at the foot of my mother's sewing machine. She would create the most amazing outfits and customs for me all throughout my schooling. Unfortunately, when I left home for university so did her sewing for me and I had to start fending for myself. –grin. That was when I started deconstructing clothing and began experimenting on my own. The University of Northern Colorado's Art School was the perfect environment to encourage me to push limits on creativity.


JJLJ: What continues to be a source of inspiration for your work?

LLL: Much like most artists I find inspiration all around me. I am continually amazed and inspired by the people around me. I am particularly inspired by my mother's beautiful birdhouses and Bibbi's delightful ceramic flowers. I am going through a big 'floral' and 'birds' phase at the moment. I am also inspired by Jillian's photography and her ability to always create the most amazing photos of my bags for publications and my website.

Other then people and their art, I am inspired by aromas, flavors, sounds, textures, and colors. I can't get enough of the things around me and at times I feel as if I am acting like a child with a new toy, but I can't help but be excited every morning I open my eyes to the world around me.

Image: Deep Purple © Lylou Designs

JJLJ: Is there anyone who has played a significant role in your career?

LLL: There are a few people that have been strong holds and influences in me 'going for it.' Of course there is my mother, then my friend Jonathan in NYC that was/is continually telling me I can 'do it' and when I am feeling overwhelmed gives me great advise and helps me organize my thoughts. My friend Brian has been a very intricate part of my success and always there with reassuring words and a kind heart. To be honest, there are so many friends that have been here for me that it would take hours to name them all.

JJLJ: What are you currently working on?

LLL: At this time I am working on two new designs for women's clutches. One of the clutches will retail for around $50 and be perfect for everyday use and a second one that will be more exotic and perfect for those 'special occasions, such as weddings, galas, or even a garden party. They are going to be very organic in form and influence by the flora in my garden. I hope to launch them by the end of February, just in time for spring.

I am also working on opening a high end house wares boutique in Athens. I have been tossing around the retail thing with a girlfriend for the past few months and we have decided to try our hand at our own shop. It is going to be a long road to completion, but fingers crossed we can get it up and running by next fall.

Image: Deep Green © Lylou Designs

JJLJ: How do you see your work influencing others?

LLL: I am not sure if my 'work' has influenced others, but I think I have been very influential to others through my encouraging and positive attitude. I am a very 'driven' person and try to keep 'can't' out of my vocabulary. I am big at setting goals and finding ways to achieve them. It is a lot of hard work, but if there is a will there is a way. I try to always be available to lend assistance and network with others to help out others. It has not be me alone that has gotten where I am today and I am more then happy to include others in my good fortune.


JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?

LLL: I guess the strangest requests I had was to fix a woman's Kate Spade handbag, b/c she didn't want to spend the money on purchasing a new Kate Spade bag. Funny? Not really.

Image: Grove © Lylou Designs

JJLJ: What is your idea of personal success?

LLL: My idea of personal success is having a happy home, filled with smiles and laughter and love…oh, and wine. -grin Living financially comfortable and working a career that I love. Having the time and ability to create on many different levels and share this interest with others around me.

JJLJ: Are there any links you would like to share?

LLL: Yes there are:
My Website
Bibbi
Jeff
Jillian
Jasey
Camilla
Ann Roth
Will
DeAnn
My Blog


JJLJ: Thank you, Lylou for contributing to InnerViews. We wish you continued success and look forward to following your career!

LLL: You are more then welcome and I look forward to reading your next interview.

For more information on Lylou's designs, please visit her website: www.lyloudesign.com

Art Papers Auction

One of my stops on Saturday night in Atlanta was at Mason Murer for the Art Papers art auction. Another big success for AP -- special thanks again to all of you who bid online, were working the absentee bidding option, and those able to come out to show your support in person. This benefits a fantastic organization each year and supports hundreds of artists! To ensure you don't miss the next one, visit their website and subscribe/sign up for the Art Papers magazine & mailing list.

Here are a few snapshots from the event...

Nice crowd at Mason Murer...

Meeting new people...

and other artists.... (yes, artists are people too!)

My date's favorite piece in the show (second to mine, of course!)

I wondered if this could have gotten the highest bid. It was mesmerizing. Especially to those of us not really crazy about MEAT.

Jennifer & Jeremy probably discussing art or that big piece of meat!

J. and J. with "Serendipity 10" & "Serendipity 22"

InnerViews: Andrea Williams

InnerViews: A Creative Interview with Andrea Williams

This InnerView features Weymouth-based jewelry designer, Andrea Williams. Andrea's nature-inspired designs include the use of precious metals in conjunction with seemingly ordinary organic materials. She studied jewelry and metalsmithing at the Rhode Island School of Design and her work can be found throughout the U.S. including selected galleries in Pennsylvania, New Mexico, and Massachusetts.

Image: Andrea Williams in her studio

JJLJ: Hello Dre - Welcome to this session of InnerViews and thank you for agreeing to participate!

AW: Thanks for having me. I'm honored you thought of me.


JJLJ: How did you come to work in jewelry and metalsmithing?

AW: When I was in High School in Maine I took a beginning jewelry class and was hooked. The idea that I could transform a hard piece of metal into something delicate using only fire and my own strength gave a focus to my already active interest in the visual arts. It satisfied my need to build something with my hands. The head of the Art Department / Jewelry Instructor at Gould Academy saw the spark in me and took me under his wing. Senior year he arranged for me to pursue an independent study and was instrumental in my applying to RISD.

Jewelry Design © Andrea Williams

JJLJ: What continues to be a source of inspiration for your work?

AW: Some people are people watchers. They sit in the crowd and study the details of the passers by. I sit on the beach or in the woods and study the details and patterns in the rocks, bark, and fallen leaves. The way the rocks were laid on the beach as the tide receded on near my mother's home were the catalyst for the Sa series of stone jewelry. I try to stay open to inspiration from any source. Our son Cosmus always sees with fresh eyes and is a constant source of ideas. He commented to me while walking our dog one evening, "Mommy, the moon is following me." That became the basis for a children's book I'm illustrating. In fact, sometimes I work on my visions before really thinking them through. While sitting in my living room, I realized I couldn't see the pond. Within 2 hours, the wall was bashed down to the studs. I met my husband at the door with a glass of wine and this disclaimer... 'I've done something, but keep an open mind, its gonna be great.'

Jewelry Design © Andrea Williams

JJLJ: Is there anyone who has played a significant role in your career?

AW: Jim Owen at Gould was instrumental in my taking the first steps. My husband not only does my web design and photography but also serves as my harshest and best critic as well as my muse.

Jewelry Design © Andrea Williams

JJLJ: What are you currently working on?

AW: My next series is a conceptual study in the zen of bird flocks, using birds as a surrogate for the spiritual beings within us. I'm particularly fascinated with the 'break away birds'- the ones that for some unseen reason choose to pull away from the masses. I am working on small silver and gold repousse´ panels of flocking birds. I am also using depletion guilding and patination to give dimension and depth.

Jewelry Design © Andrea Williams

JJLJ: How do you see your work influencing others?

AW: I hope that my work is an avenue for people to see the simple beauty that nature affords us. The birds nest we pass and never see, the wind making patterns in a field, the breakaway birds in a flock, the laugh lines on your lover's face when they smile, the multitude of polished stones we pass on the beach - too easily we miss the breathtaking beauty of these moments. My choice of materials make it impossible to use these works as status pieces. They are inherently designed to keep the wearer grounded.

Jewelry Design © Andrea Williams

JJLJ: What is the strangest or funniest comment or question you've ever gotten about your work?

AW: I keep a bowl of rocks as part of my display at a shows- one person asked if it was candy, another asked if the rocks were real. The funny thing about the bowl of rocks is it becomes a study of human nature. Some people instinctually reach out to touch the rocks -often unaware that they are even caressing them, others feel the need to ask permission.

Jewelry Design © Andrea Williams

JJLJ: What is your idea of personal success?

AW: My idea of personal success is to live on the water with the man that I love, and a child that we love, designing jewelry that inspires me and having people respond to it. Early in my career I worried too much about what the market wanted and finding a niche. It nearly broke my spirit and I took some time off to follow one of my other passions as a chef. The work I do now is a reflection of my confidence and focus. I have to connect with the work or I will not pursue it.


JJLJ: Are there any links you would like to share?

AW: My husband's site is markcraig.com. -worth having a look at for his balanced rocks alone.

Jewelry Design © Andrea Williams

JJLJ: Thank you, Andrea for contributing to InnerViews. We wish you continued success and look forward to following your career (& wearing your unique jewelry)!

AW: Thanks Jenny! I hope to see you at your show on Martha's Vineyard this summer.


For more information on Andrea's work, please visit her website: http://www.boundearth.com/

Jewelry Design © Andrea Williams