
Sunday, August 28, 2011
Recent Inspiration

Saturday, August 13, 2011
Painting Featured in Traditional Home Magazine


Text by Amy Elbert
Produced by Lisa Mowry
Tuesday, July 19, 2011
New Mailing List
Thursday, July 14, 2011
May 2011 Interview
Jennifer J L Jones:
Her Authentic Self

VK: Do you have a ritual before beginning to paint?
JJLJ: No, but my work depends on my energy level. I am very aware of how I am feeling so I will, sometimes, briefly meditate allowing me to go inward and tap into my energy, helping me to discover what I am going to paint.
VK: Do you listen to music or have a playlist that helps you?
JJLJ: I do create a new playlist for each series I am working on and I sometimes put it on my blog. The music is all mood oriented and very eclectic. There are few things I don’t listen to. Well, I don’t listen to speed metal (she laughs), but I listen to everything from Opera to Rap – it all depends on the energy that I am wanting for the series that I’m working on.
My Serenata series, which will span the duration of the year, has a broad array of songs, a few of which are:
Let Him Fly – Patti Griffin (about letting go)
Claire de Lune – Debussy (it’s soooo pretty)
Stay or Leave – Dave Matthews Band (the lyrics are delish)
The music, so far, has evolved as my mood changes. If I feel like it’s getting too weepy, I will change it and listen to something more playful. In talking about it, I realize that the words of the songs are very important and evident in the work. If you listen to the songs, you’ll hear a similar theme that exists in the paintings: seeking, finding and letting go.
VK: Why the concept of ‘letting go’?
JJLJ: It is very personal; it’s where I am in my life. About liberating myself from unrealistic fantasies – letting go of the old notions that are not working to then allow me to embrace things that will work. It’s an act of self-discovery. The cheesy term of finding yourself and thereby coming to know yourself, a desire to make yourself happy from the inside and listen to your inner muse.
VK: As you embark on this journey of self-discovery, do you think your painting allows you to travel (without ever leaving the studio)?
JJLJ: I come from a family of travelers and viewers have told me that they feel like they’ve been to these places (that I paint), but they cannot orient themselves at a specific location. Perhaps this is what they connect with – the notion of embarking on a journey through the paintings with me as their guide or companion.
These are some of my sketches from my Italian art sabbatical- abstract cyprus trees, artichoke, olive tree, waterfalls, fire, enchanted woods… stormy weather that eventually led to the arrival of spring…
VK: In walking around your studio, I notice your sketches have a lot of words on them as well. Why do you incorporate text and image (on your sketches)?
JJLJ: What I went through in Italy was intense – good, but challenging – and, I wanted to remember specific moments. The text allows me to remember the experience. I felt it was important to anchor what I was thinking – the sketch is so quick, that it doesn’t hold the weight that the paintings do.
VK: So, in Italy was when you really embraced making watercolors.
JJLJ: I did break down in Cortona and buy acrylic and paintbrushes – it was incredible reading the colors in Italian to the shop keeper and though my pronunciation was definitely not superb, it was fun picking them out. He understood what I was saying. Obviously when it comes to art, everyone speaks a very familiar language.
Some of my very first paint brushes from my first year in college are in this pic.And some cotton. I LOVE cotton. I want a huge arrangement of it.
VK: Other than music and travel, where do you find inspiration?
JJLJ: Nature. And my emotions. Ranging from delight to heartbreak and combined with my attempts to understand the world around me, this seemingly personal journey, the learning of life lessons – which is our life lesson – is evident in nature. If you look at my images, you’ll find a diverse array of flora and fauna that must be sifted through in order to discover the essential truth that it is the journey that is most important.
VK: How do you keep yourself motivated, organized?
JJLJ: I’m sure on some level, I am organized even though I don’t feel it. I have timelines that keep me motivated and on task with my goals. (Laughing) Birthdays help too – My most recent birthday was good at making me get organized – pushing me to get to the place that I want to be.
My work tables have become works of art themselves.
VK: What’s the best advice you’ve received from a mentor? Or, what advice would you give?
JJLJ: One of my instructors always encouraged us to take our ideas and do thorough research on what has been done prior and then, take it further. My advice: Follow your heart and listen to yourself. This is the key to everything. Take others opinions with a grain of salt – you must remain authentic.
VK: If you could have one superpower, what would it be?
JJLJ: Just one? (She laughs) That’s a really good question. Maybe fly? I need a bit more time with that one. All the superpowers are such a control thing – I don’t necessarily want to read peoples minds or stop time – I just want to let go. Having a superpower would take away the mystery of things.
Ah yes, my crunchy painting apron. It tends to fascinate people when they see how thick the paint is in person.Thursday, July 7, 2011
Installation Shots & Summer Update


Monday, June 20, 2011
Folsom Jones Studio Exhibition
Thursday, June 9, 2011
Shout Out Blog Brags
Tuesday, May 31, 2011
Hello, successful sweet summer
Tuesday, May 24, 2011
Interview
Monday, May 23, 2011
Solo Exhibition at Hunter Kirkland Contemporary


Thursday, May 19, 2011
Rising Artists!




Tuesday, May 17, 2011
Visiting Artist
Feel free to comment here if there are any messages you'd like to share with these future artists... What do you wish you had known early on that has helped you on your creative path/career?? Or in life in general? Let's give them the knowledge and tips that we can that might help them along the way... I WISH someone had come to my high school AP art class to do this for us. I think it would have really helped.
Thursday, May 5, 2011
Exhibition Preview
JENNIFER J L JONESSerenata: May 27- June 12 Opening Reception With The Artist, May 27, 5:00-7:00 PM 200-B Canyon Rd., Santa Fe, NM |
![]() "Samsara II" Mixed Media on Wood Panel, 60 x 60 inches ©2011 Jennifer J L Jones
We always look forward to seeing what Jennifer J.L. Jones has added to her evolving oeuvre, and this year is no exception. For her new series “Serenata,” which will be on display at the gallery from May 27 through June 12, she uses a richer palette than ever before, addressing ideas and emotions that are at once personal and universal. It’s as if she’s inviting us to journey with her into her inner world of contemplation but also to explore the all-encompassing realm of nature. The unique way she combines the two gives this work a particular urgency, which contrasts intriguingly with her paintings’ serene beauty. Jones continues to abstract her observations from nature while mining her own emotional life for inspiration, most recently drawing ideas from a working trip to Tuscany where she experienced the transition from winter to spring. |
![]() "Insieme I" Mixed Media on Wood Panel, 20 x 60 inches ©2011 Jennifer J L Jones
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![]() "Patience" Mixed Media on Wood Panel, 48 x 48 inches ©2010 Jennifer J L Jones
“My work has to do with nature, energy, seasons, and emotions,” says the artist, “and Italy has had a profound effect on this series. My time there showed me what a major role the weather patterns and seasons continue to play in my painting. The ideas I’ve been working on for this series have been taken directly from my experience in the Tuscan countryside, where I witnessed all the enchanting nuances of living on top of a mountain. My sketches for the series range from brooding, moody, pre-spring storms to the abundant rain and the intense green grass of the hillsides, with blips of white sheep, colorful tulips, and daffodils.”
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![]() "Neci" Mixed Media on Wood Panel, 60 x 48 inches ©2010 Jennifer J L Jones
Jones has refined her technique over the years, using less of the ridged papers and natural elements like leaves that gave her past work texture in favor of glazing thin layers of oil paint, acrylic, and tar, then sanding them until the desired effect is achieved. At first glance the surfaces appear heavily lacquered, almost to the point of impenetrability, but closer examination reveals a textured world of activity beneath the surface, the layering process subtly but powerfully highlighting an abstracted universe of natural elements and the feelings they evoke. The deeper palette of greens, browns, and clarets is deceptive as well, as the pops of light and color that animate the background introduce a sense of playfulness and optimism, of a lightness of spirit that’s grounded by, rather than immersed in, the darkness.
Sincerely, Nancy Hunter, Owner/Director Hunter Kirkland Contemporary
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PLEASE CONTACT THE GALLERY FOR ADDITIONAL INFORMATION
Hunter Kirkland Contemporary 505.984.2111 www.hunterkirklandcontemporary.com
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Tuesday, April 26, 2011
Facebook Fan Page
Sunday, April 24, 2011
PRESS RELEASE: HKC/Jennifer J L Jones Solo Exhibition

Saturday, April 23, 2011
Blog Bragging about John Folsom: Summering at the End of Empire

John Folsom: Summering at the End of Empire
April 9 – July 3 in Galleries 1-3
John Folsom's work deals primarily with the way in which images of landscape are used or fictionalized to present a personal sense of place. Folsom's photographic paintings have been widely exhibited for the past 10 years and can be found in many collections worldwide.









